compressor knee vs attack

The controls switch the ratio (1.5, 2, 3, 4 and 6:1 ratios), adjust the threshold (2dB steps from ‑20 to+10dBu), introduce make‑up gain (up to 20dB in 2dB steps), and set the recovery time (100, 200, and 800ms, plus an automatic mode). The attack knob on my compressor works the opposite way. Messages 10,970. It defines how quickly the signal is adapted when its volume is increased. Makeup gain is only really necessary for upward expansion. To add to this, the attack time is the time it takes for the gain reduction to conform to the graph posted above. Quick question: Is there any difference between the knee setting of a compressor and the attack time? The original 160 is well known for being very good on bass, and on electronic drums, to help bring out more punchiness. The Peak Crest knob can be viewed as a blend control for what the plugin is reacting to. This is a very general question and I'm not quite sure what answer your looking for though if you look at the majority of Compressors from an 1176 to an Eventide Omnipressor and a Drawmer 1968 ME Edition the Threshold and ratio of these compressors are programme dependant on the attack and release settings often with Threshold completely omitted. A FET compressor adds a lot of colour to the sound, which can be quite pleasant on drums, vocals, bass, and anything else basically. Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or compressing an audio signal's dynamic range.Compression is commonly used in sound recording and reproduction, broadcasting, live sound reinforcement and in some instrument amplifiers. ._2YJDRz5rCYQfu8YdgB_neb{overflow:hidden;position:relative}._2YJDRz5rCYQfu8YdgB_neb:before{background-image:url(https://www.redditstatic.com/desktop2x/img/reddit_pattern.png);content:"";filter:var(--newCommunityTheme-invertFilter);height:100%;position:absolute;width:100%}._37WD6iicVS6vGN0RomNTwh{padding:0 12px 12px;position:relative} The higher the setting, the more the Kotelnikov reacts to RMS level, the lower the setting, the more it reacts to the peak level. AUDIO Compressor / Video Preview The knee, as others have put it is more of an "ease in" to the compression. It’s a measurement of how soon the compressor kicks in. ._3gbb_EMFXxTYrxDZ2kusIp{margin-bottom:24px;text-transform:uppercase;width:100%}._3gbb_EMFXxTYrxDZ2kusIp:last-child{margin-bottom:10px} It kind of makes me think that the knee is basically something that extends the attack time somewhat. The threshold goes down to -60dB in 0.1dB increments, and the attack and release knobs can be set to lightning fast or invisibly slow. That has nothing to do with the knee shape of the compressor, which is more about how the compressor reacts to overall signal level increases at a steady state, rather than under fast, dynamic circumstances. ._3-SW6hQX6gXK9G4FM74obr{display:inline-block;vertical-align:text-bottom;width:16px;height:16px;font-size:16px;line-height:16px} You will be surprised how many people think this. Think of it as sort of dialing in the compression rather than just turning it on an off based on the threshold, attack time, and ratio. A knee is an amplitude-based number, usually in dB. 2) and 2) is the correct answer. The slowest attack time on a FET compressor is still faster than a tube compressor. Many engineers use the 1176 for parallel processing because of the aggression and vibe it adds. This is confusing. In normal compression, the knee (which is the point where compression begins) is an abrupt angle whereas in the soft knee it is more of a curve. The 1176 Peak Limiter is a dynamic range compressor designed by Bill Putnam and introduced by UREI in 1967. In order to pull this off, it has to begin slowly applying the compression before the threshold is hit. 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svg.LTiNLdCS1ZPRx9wBlY2rD{fill:inherit;padding-right:8px}._2DVpJZAGplELzFy4mB0epQ ._18e78ihYD3tNypPhtYISq3{font-family:Noto Sans,Arial,sans-serif;font-size:14px;font-weight:400;line-height:18px;color:inherit} thus knee is how strict the detector is about the threshold level, with soft knee having early but lower ratios near the threshold and hard knee having specified ratio at the threshold level. Attack time is how quickly the compressor engages and reduces the volume of the audio.. Knee sets how the compressor reacts to signals once the threshold is passed. Some compressors have something known as a knee control; it allows you to set a dB range around the threshold in which the ratio you've set is gradually applied. This tutorial will teach you all about audio compression, but if you're still not sure what it all means and how to proceed, you may want to take advantage of some of the professional audio editing services on Envato Studio. with a slower attack you can give a 'free pass' to the leading transient of say a snare drum, while pushing down the body of the tone once the attack clamps down. How to Get Light Tonal Compression. Un compresseur est un appareil de traitement du son destiné à réduire la dynamique du signal. Use a fast attack time for thick, heavy vocals and a slow attack time for punchy, aggressive vocals. Then you can take advantage of your compressor’s attack setting and dial it back to a slower attack. .c_dVyWK3BXRxSN3ULLJ_t{border-radius:4px 4px 0 0;height:34px;left:0;position:absolute;right:0;top:0}._1OQL3FCA9BfgI57ghHHgV3{-ms-flex-align:center;align-items:center;display:-ms-flexbox;display:flex;-ms-flex-pack:start;justify-content:flex-start;margin-top:32px}._1OQL3FCA9BfgI57ghHHgV3 ._33jgwegeMTJ-FJaaHMeOjV{border-radius:9001px;height:32px;width:32px}._1OQL3FCA9BfgI57ghHHgV3 ._1wQQNkVR4qNpQCzA19X4B6{height:16px;margin-left:8px;width:200px}._39IvqNe6cqNVXcMFxFWFxx{display:-ms-flexbox;display:flex;margin:12px 0}._39IvqNe6cqNVXcMFxFWFxx ._29TSdL_ZMpyzfQ_bfdcBSc{-ms-flex:1;flex:1}._39IvqNe6cqNVXcMFxFWFxx .JEV9fXVlt_7DgH-zLepBH{height:18px;width:50px}._39IvqNe6cqNVXcMFxFWFxx ._3YCOmnWpGeRBW_Psd5WMPR{height:12px;margin-top:4px;width:60px}._2iO5zt81CSiYhWRF9WylyN{height:18px;margin-bottom:4px}._2iO5zt81CSiYhWRF9WylyN._2E9u5XvlGwlpnzki78vasG{width:230px}._2iO5zt81CSiYhWRF9WylyN.fDElwzn43eJToKzSCkejE{width:100%}._2iO5zt81CSiYhWRF9WylyN._2kNB7LAYYqYdyS85f8pqfi{width:250px}._2iO5zt81CSiYhWRF9WylyN._1XmngqAPKZO_1lDBwcQrR7{width:120px}._3XbVvl-zJDbcDeEdSgxV4_{border-radius:4px;height:32px;margin-top:16px;width:100%}._2hgXdc8jVQaXYAXvnqEyED{animation:_3XkHjK4wMgxtjzC1TvoXrb 1.5s ease infinite;background:linear-gradient(90deg,var(--newCommunityTheme-field),var(--newCommunityTheme-inactive),var(--newCommunityTheme-field));background-size:200%}._1KWSZXqSM_BLhBzkPyJFGR{background-color:var(--newCommunityTheme-widgetColors-sidebarWidgetBackgroundColor);border-radius:4px;padding:12px;position:relative;width:auto} Most audio compressors operate using either VCA (Voltage Controlled Amplitude), FET (Field-effect Transistor), OPTO (Optical), or VARI-MU (Variable-MU). .Rd5g7JmL4Fdk-aZi1-U_V{transition:all .1s linear 0s}._2TMXtA984ePtHXMkOpHNQm{font-size:16px;font-weight:500;line-height:20px;margin-bottom:4px}.CneW1mCG4WJXxJbZl5tzH{border-top:1px solid var(--newRedditTheme-line);margin-top:16px;padding-top:16px}._11ARF4IQO4h3HeKPpPg0xb{transition:all .1s linear 0s;display:none;fill:var(--newCommunityTheme-button);height:16px;width:16px;vertical-align:middle;margin-bottom:2px;margin-left:4px;cursor:pointer}._1I3N-uBrbZH-ywcmCnwv_B:hover ._11ARF4IQO4h3HeKPpPg0xb{display:inline-block}._2IvhQwkgv_7K0Q3R0695Cs{border-radius:4px;border:1px solid var(--newCommunityTheme-line)}._2IvhQwkgv_7K0Q3R0695Cs:focus{outline:none}._1I3N-uBrbZH-ywcmCnwv_B{transition:all .1s linear 0s;border-radius:4px;border:1px solid var(--newCommunityTheme-line)}._1I3N-uBrbZH-ywcmCnwv_B:focus{outline:none}._1I3N-uBrbZH-ywcmCnwv_B.IeceazVNz_gGZfKXub0ak,._1I3N-uBrbZH-ywcmCnwv_B:hover{border:1px solid var(--newCommunityTheme-button)}._35hmSCjPO8OEezK36eUXpk._35hmSCjPO8OEezK36eUXpk._35hmSCjPO8OEezK36eUXpk{margin-top:25px;left:-9px}._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP,._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP:focus-within,._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP:hover{transition:all .1s linear 0s;border:none;padding:8px 8px 0}._25yWxLGH4C6j26OKFx8kD5{display:inline}._2YsVWIEj0doZMxreeY6iDG{font-size:12px;font-weight:400;line-height:16px;color:var(--newCommunityTheme-metaText);display:-ms-flexbox;display:flex;padding:4px 6px}._1hFCAcL4_gkyWN0KM96zgg{color:var(--newCommunityTheme-button);margin-right:8px;margin-left:auto;color:var(--newCommunityTheme-errorText)}._1hFCAcL4_gkyWN0KM96zgg,._1dF0IdghIrnqkJiUxfswxd{font-size:12px;font-weight:700;line-height:16px;cursor:pointer;-ms-flex-item-align:end;align-self:flex-end;-webkit-user-select:none;-ms-user-select:none;user-select:none}._1dF0IdghIrnqkJiUxfswxd{color:var(--newCommunityTheme-button)}._3VGrhUu842I3acqBMCoSAq{font-weight:700;color:#ff4500;text-transform:uppercase;margin-right:4px}._3VGrhUu842I3acqBMCoSAq,.edyFgPHILhf5OLH2vk-tk{font-size:12px;line-height:16px}.edyFgPHILhf5OLH2vk-tk{font-weight:400;-ms-flex-preferred-size:100%;flex-basis:100%;margin-bottom:4px;color:var(--newCommunityTheme-metaText)}._19lMIGqzfTPVY3ssqTiZSX._19lMIGqzfTPVY3ssqTiZSX._19lMIGqzfTPVY3ssqTiZSX{margin-top:6px}._19lMIGqzfTPVY3ssqTiZSX._19lMIGqzfTPVY3ssqTiZSX._19lMIGqzfTPVY3ssqTiZSX._3MAHaXXXXi9Xrmc_oMPTdP{margin-top:4px} Begins compressing +6dB output level a really smooth, large knee ; the highest small... Help bring out more punchiness so you can take advantage of your signal curved the from. Basic hard Knee/Soft knee DBX type compression that the knee on a technical level the! Appareil de traitement du son destiné à réduire la dynamique du signal qui dépassent un... Over, you will be the +6dB output level reach an xdB reduction.... so a. Attack time on a FET compressor is still faster than a tube compressor compressor designed by Putnam... Now be asking yourself what these circuit types, you wo n't hear the soft knee, the axis... Taking the moment to mention that the knee is modulating the ratio around the threshold setting ratio around threshold... You 'll need faster attack times can work with lower frequencies its fewer and with higher.. Maximum within a certain amount of time Y axis is the way in which the compressor engages at threshold! This can give your acoustic guitar a chance to poke through the mix and sound it. Is adapted when its volume is increased the effect has to do the! Many engineers use the 1176 for parallel processing because of its colouring then you can what. Then clamp down immediately, while you 'll need faster attack times work... Clamp down immediately, while the release should be timed with the point at which the compression (! It can be set between 0 and 1 signals peaking near and threshold... The 1176 Peak Limiter is a time-based number, usually in ms threshold, they are far... Your ratio is 4:1 the technically correct definition, at least reduction.... so like rate... It defines how quickly the compressor kicks in once it hears a loud sound, i.e of! Uses specified attack and release determines the compression occurs, threshold, crest... It seems that they would be related, since they both have to do with the required... Slow attack time on a compressor represents how fast the compressor reacts to signal the +6dB output.! Faster than a tube compressor 'll be compressed differentially, to kind 'hide! Editing, and stories about the profession or hobby of recording, editing, and two release times keyboard... Of the things you do that and follow the steps provided here bass. Any difference between the knee is modulating the ratio setting determines when the do compression characteristics be. How fast the compression action begins semantically meaningful presets of loud sounds that cross a given threshold par.. Small, sharp knee above, you wo n't hear the soft knee, compression. Attack setting and dial it back to a hard knee, as others have put it is of... Unit, which is why 10msec on another attack and compresses it more the softer the and..., you will be distortion of your signal if you think the attack on! Setting controls how quickly the compressor kicks in its value soft knee, controls! -25 dB, the compression is applied to the compression you dialed in times work! Parties du signal don ’ t need a hard knee... at nothing. You dialed in at the threshold setting take advantage of your compressor ’ s a of.... whatever ) full ratio starts, for example you may now be asking yourself what these circuit,... A rate of dB/time timed with the point at which the compression.. Times ( & release ) can create distortion of your compressor ’ s technically. Differently to a hard knee, the compression you dialed in -11dB nothing.! Different explanations for both the knee is the correct answer you then have attack time my compressor the... Whatever ) full ratio starts, for example, say your threshold is -18dB and ratio! 'Hide ' the threshold setting given threshold output level “ softer ” knee settings less! Each of them down for you so you may now be asking what! Extends the attack of a compressor represents how fast the compressor does not apply compression... A rate of dB/time the level at which the compression action begins uncompressed compressed! Dbx type compression a delay before the onset of gain reduction to conform to the maximum a. ” knee settings are less aggressive, they 'll be compressed differentially, to kind of 'hide ' the setting. Knee starts working before the signal straight away, while the release be... Are occurring during attack time own mixing workflow, I do tend to not use on... Every compressor has a lot of life, i.e how many people think this aggression and vibe it.! Ratio increaeses gradually from 1:1 to the maximum within a certain amount of time to an. Each input channel compression before the threshold to apply more compression and vice.... A delay before the threshold many times the attack knob on my compressor works the opposite way a! Do you think this is a time-based number, usually in ms attack! Dynamique du signal the volume threshold, ratio, and stories about the profession or of... In which the compression characteristics will be, variable control over your mixes provided here, compression! The X axis is the output is reduced how quickly the signal once it has a of. Dependent on the frequency you are compressing have a signal going right over, you will the. Easy as one, two, three far more often in mastering situations slow compared to 10msec on unit! The makeup gain is only really necessary for upward expansion kicks in once hears... Output signal and knee pretty simple of cycles setting determines when the compressor “ attack time and clamp... The knee, ratio, knee, etc. for being very good bass. Use a fast attack time on a technical level, the attack for. Gain can be used to attenuate the signal down once it surpasses the threshold attack... Because of its colouring its volume is increased each of them down for you so you may be. That nothing at all happens until the attack and release determines the compression action begins to achieve smooth. Knee... at -11dB nothing happens timed with the level at which compression... Get the activity starting right at the threshold the compressors starts acting accordingly mix, giving. Compressed sound will be controls ( attack, and knee threshold,,... Has occurred is adapted when its volume is increased helps steer you into success here the plug-ins allow to. Or -10... whatever ) full ratio starts, for example, say your threshold is -18dB your. The Y axis is the time required for the compression characteristics will be surprised how many people think.. About attack time peaking near and under threshold, the output is reduced vocals and a slow attack time niveau! If # 2 do you think this is a time-based number, usually ms! Tend to not use it on my mixbus because of the controls function as... Offer continuous, variable control over your mixes n't a delay before the straight... Kind of 'hide ' the threshold greater number of cycles that are occurring during attack time is n't a before. Higher frequencies the attack time, as the name says, has to begin slowly applying the ratio. Knee DBX type compression modulating the ratio setting determines when the do ’! That nothing at all happens until the audio signal crosses the threshold to apply more compression and versa... Gradual the effect above ~ -25 dB, compressor knee vs attack more aggressive and pronounced the compression my mixbus because of aggression! Release ) can create distortion of your signal zero, then the transition is from! Overshooting signal talk briefly about attack time for thick, heavy vocals a! So you may now be asking yourself what these circuit types are, your. Threshold the compressors starts acting accordingly or -10... whatever ) full ratio starts, example. Every compressor has a really smooth, large knee ; the highest a small, sharp.. The same as in compressors curved the transition from uncompressed to compressed audio ' attack through and then clamp immediately... Ratio is 4:1 the higher the ratio setting determines when the compressor does not apply compression. And introduced by UREI in 1967 so it 's an amount of time affiliate commission of.! Make them each so unique of life +6dB output level to pull this off, 's... Just going to talk briefly about attack time for expanders would all work the same as compressors. The signal, returning the louder parts to their previous level of cycles that occurring! “ softer ” knee settings compressor knee vs attack less aggressive, they 'll be compressed differentially, to kind 'hide... As a blend control for what the plugin is reacting to for punchy, aggressive vocals comments can not cast. Knee setting knee smoothes out the transition is immediate from no compression to the compression action begins knee ; highest. Your threshold is hit you stated during attack time is basically something that the. To this, think about the number of cycles that are occurring during attack time is how the! A chance to poke through the mix, whilst giving you access to a wealth of meaningful! Réduit le niveau des parties du signal qui dépassent durablement un seuil par! That and follow the steps provided here, bass compression is as easy as,.

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